Senin, 19 Juni 2023

The Crowded Grave: A Mystery of the French Countryside - Walker, Martin Review & Synopsis

 Synopsis

The fourth installment in the delightful, internationally acclaimed series featuring Bruno, Chief of Police.

It's spring in the idyllic village of St. Denis, and for Chief of Police Bruno Courr�ges that means lamb stews, bottles of his beloved Pomerol, morning walks with his hound, Gigi, and a new string of regional crimes and international capers. When a local archaeological team searching for Neanderthal remains turns up a corpse with a watch on its wrist and a bullet in its head, it's up to Bruno to solve the case. But the task will not be easy, not with a meddlesome new magistrate, a series of attacks by animal rights activists on local foie gras producers, and a summit between France and Spain approaching-not to mention two beautiful, brilliant women vying for Bruno's affections.

Review

MARTIN WALKER is senior director of the Global Business Policy Council, a private think tank for CEOs of major corporations, based in Washington, D.C. He is also editor in chief emeritus and an international affairs columnist at United Press International. His three previous novels in the Bruno series are Bruno, Chief of Police; The Dark Vineyard; and Black Diamond. He lives in Washington, D.C., and the Dordogne.1

It felt like the first morning of spring. The early sun was chasing the mist from the wooded hollows that sheltered the small streams flowing busily down to the River V�z�re. Drops of dew sparkled on the new buds that seemed to have appeared overnight on the bare trees. The air smelled somehow different, fresh and hopeful, and enlivened by the tuneful notes of a dozen different birdsongs. Excited by the change in scents and season, even after his early morning walk through the woods, Gigi the basset hound thrust his nose at the open window of the small police van that descended the steep and curving lane from his master's home. At the wheel, Bruno was singing a half-�remembered song about springtime in Paris. Vaguely thinking of the duties of the day that stretched before him, when rounding the last bend he was suddenly forced to brake.

For the first time in his memory, the quiet road ahead was blocked with a line of cars and tractors, their engines running and their drivers' heads poking from windows. Some were out of their cars, looking at the road that led to St. Denis. Several were talking urgently into cell phones. In the distance a car horn sounded, swiftly joined by others in discordant chorus. As Bruno surveyed the scene his own phone began to ring. He checked the screen, recognized the name of Pierre, a neighbor who lived farther up the road. He ignored it, assuming Pierre would be calling to complain at being stuck in the jam ahead. There had to be an accident of some sort.

Bruno pushed aside the thought that he could have avoided this delay if he'd stayed the night with Pamela, the English-woman he'd been seeing since the autumn. She had called off the arrangement that he would dine with her and stay the night, saying she'd finally secured an early morning appointment with the mar�chal, the traveling farrier who was to reshoe her horses. Pamela postponed their meetings too frequently for Bruno's comfort, and he was never quite sure whether she was cooling on their relationship or simply wary of commitment. They were to meet again that evening, he reminded himself, without feeling greatly reassured. He parked the van and climbed out to investigate. The best view of the long traffic jam was commanded by Alain, who kept a dairy farm farther up the road to Les Eyzies.

"Geese-�the road's full of ducks and geese," he called down to Bruno from his perch high on a tractor. "They're all over the place."

Bruno heard the sound of rival honking as the geese called back in response to the car horns, and he quickly clambered up beside Alain to peer ahead. The traffic jam stretched as far up the road as he could see. Darting between the stalled cars were perhaps hundreds of ducks and geese, streaming through the woods on the side of the road and heading across it to settle in a broad pond that spread across the meadow, swollen by the spring rains.

"That's Louis Villatte's farm, behind those woods," said Alain. "A tree must have come down and broken his fence, let them all escape. There's over three thousand birds in there. Or rather, there used to be. Looks like he's lost a few to the cars too."

"Have you got his number?" Bruno asked. Alain nodded. "Call him, see if he knows his birds have escaped. Then go through those woods and see if you can help Louis block the gap in his fence. I'll try and sort this out here. Join you later."

Bruno went back to his van, released Gigi, and walked with him down the road, brushing aside the drivers' angry queries. A driver he knew was looking mournfully at a broken headlamp while a wounded goose lay half pinned under his car, honking feebly.

"You grew up on a farm, Pierre," Bruno told him, rushing past. "Put the poor devil out of its misery." Looking back, he saw Pierre bend to grip the goose behind its head and twist. The bird fluttered wildly and then went limp. Even when the farm boy grew up like Pierre to work in an accountant's office, he hadn't lost the skill.

When he came to the main grouping of birds, advancing in a jumbled column from the woods, Bruno saw that the road ahead was blocked by some stalled cars coming the other way. He briefly considered using Gigi to turn the birds back, but they would go off and cross the road elsewhere. There was no stopping this exodus, so he might as well try to speed it up and clear the road. He persuaded the leading cars in each queue to reverse a little to make a broader passage to let the birds pass freely across to the pond. Some drivers tried to argue, but he pointed out that the sooner he could stop the supply of ducks, the sooner the road would unblock. He left them grumbling and took Gigi into the trees, trotting past the trail of ducks and geese that was still pottering and waddling its way from the Villatte farm. Bruno smiled to himself, wondering if the birds felt a sense of escape or curiosity, of adventure triggered by the coming of springtime.

Louis and his wife were already at the huge hole torn in the fence. No tree had fallen, no tractor had ridden through the sturdy barrier of wooden posts and chicken wire that ringed the farm. Instead, whole fence posts had been hauled from the earth and the wire cut. With boards and old doors and cardboard boxes stuffed beneath an ancient tractor, Louis was trying to plug the gaps in the fence. His wife and eldest son were flapping their arms, and their dog was barking to shoo away the ducks and geese following their fellows toward the freedom of the woods.

Without being told, Gigi darted forward to help drive the birds back from the fence, and Bruno helped Alain to haul some branches from broken trees to seal the remaining gaps in the wire. Once the makeshift barrier was in place, Louis came forward to shake their hands. Gigi and Louis's dog sniffed politely at each other's tails and then sat beside each other, staring at any bird daring to approach.

"We've been at this since daybreak," Louis said. "You see how big this gap is? Some bastard ripped this fence down deliberately and did a good job of it."

"And we know who," added Sandrine, his wife. "Look at this, stuck on the bits of the fence they didn't tear down." She handed Bruno a photocopied leaflet, sealed inside a transparent plastic envelope.

"STOP cruelty to animals. Boycott foie gras," he read. There was a smudged photocopied image of a duck held down in a narrow cage. A flexible tube hanging from above was thrust into its mouth by an unidentified man who was stretching the duck's neck taut for the force-�feeding. At the bottom, it read "Contactez PETAFrance.com."

"Who's this PETA?" asked Alain, peering over Bruno's shoulder.

"People for the Ethical Treatment of Animals," said Bruno. "It's an American thing, maybe British, but it's growing in France. They made a big fuss up in Paris about battery chickens and veal, those calves kept in pens. Looks like they've started running a campaign against foie gras."

"But that's our livelihood," said Sandrine. "And we don't make foie gras, we just raise the birds."

"And look at this," said Louis. "The wire's been cut with proper cutters. This was organized." He showed Bruno the snipped strands of wire. "Then they pulled it away somewhere, hiding the stretches of wire they cut. I sent the other boy out looking for it in the woods."

"City bastards," grunted Alain. "Don't know the first thing about the country and they come here like a bunch of terrorists and try to ruin people." He turned aside and spat. "You find out who they are, Bruno, and we'll take care of the rest."

Bruno ignored Alain's outrage on behalf of his fellow farmer. "All the birds seem to be heading for that pond on the far side of the road," he told Louis. "Have you got some way to round them up and bring them back?"

"I'll ring the food bell. That brings most of them running. And for the rest, I've got some netting. That's how we usually round them up. I'll put them in the trailer and bring them back once I've got this fence fixed."

"Sooner the better, because they've blocked the whole road into town," said Bruno. "That's what brought me here."

"Crazy birds," said Louis, grimacing in rueful affection. "They've got a perfectly good pond back in the field, but give them a sniff of someplace new and off they go." He gestured back beyond his house where already some of the ducks, frustrated at their efforts to escape through the newly sealed barrier, were splashing and paddling serenely in their old familiar pond.

A young boy of about ten labored toward them from the woods, proudly hauling a section of wire fence.

"I found it, Papa," he shouted. "And there's more. I can show you where." His face broke into a grin at seeing Bruno, who taught him to play rugby in winter and tennis in summer. "Bonjour, Monsieur Bruno." He dropped the fence and came forward to shake hands.

"Bonjour, Daniel. Did you see or hear anything when this happened?"

"Nothing. The first I heard was when Papa woke us all up to come out and save the birds."

"I heard something, a duck call, a single one and then repeated, just before the cockerel started," said Louis. "So it must have been a bit before dawn. I remember thinking that's odd, because the ducks don't usually stir until after the hens."

"Could it have been a lure, one of those hunter's calls?" Bruno asked. "Whoever cut the fence must have had some way to wake the birds and tempt them to move. They'd have wanted them out before you and the family were awake."

"It must have been something like that," Sandrine said. "The birds tend to stick around the barn, waiting to be fed. They've never gone off before, even when we had that storm that knocked part of the fence down."

"I'd better get back to the road and see that jam is cleared," said Bruno.

"Before you go, what do you know about this PETA?" asked Sandrine.

"Not a lot, but I'll find out," Bruno replied. "I think you've lost one or two birds to the cars, but not many."

"Those birds are worth six euros each to us," said Sandrine. "We can't afford to lose any of them, what with the bank loan we have to pay until we sell this lot. What if those PETA people come again?"

"I'll shoot the bastards," Louis said. "We'll take turns keeping watch, sit up all night if we have to."

"You have a right to protect your property with reasonable force, according to the law," said Bruno. "But people interpret "reasonable force' in different ways. If you hear anything happening again, it's best you call me. Whatever you do, don't use a firearm or any kind of weapon. The best thing is to photograph them so we can identify who they are. If you have any lights you can rig up, or one of those motion detectors . . ."

"A camera won't do any good," said Alain. "Even with photos the damn courts will take their side. They're all mad Greenies, the magistrates. Then there's those food inspectors and all the other rules and regulations, tying us up in knots."

"I think I know who it is," said Sandrine. "It's those students at the archaeology site who came in last week, working on some dig with that German professor, over toward Campagne. They're all staying at the municipal campground. This time of year, they're the only strangers around here and you know what those students are like. They're all Greens now."

Bruno nodded. "I'll check it out. See you later." Along the fence he saw the fluttering of another of the leaflets inside a plastic bag, one of the kind that could be sealed and used in freezers. He took out a handkerchief and gingerly removed the pins that held it to the wire. Forensics might get something from it. There were several more attached along the fence and he took another. He nodded at Alain. "Do you want to come with me? You'll have to move your tractor."

As he reached the road, where the jam was steadily clearing itself, Bruno's phone rang again. He checked the screen, saw the name "Horst," and this time he answered. Horst Vogelstern was the German professor of archaeology in charge of the student volunteers at the dig. For more than twenty years Horst had spent his vacations at a small house he owned on the outskirts of St. Denis. He ran digs in the V�z�re Valley that the local tourist board liked to proclaim as the cradle of prehistoric man. The first site of Cro-�Magnon man had been found in the valley over a hundred years earlier, and the famous cave paintings of Lascaux were farther up the river. It was a source of pride to Bruno that he lived in this valley that could claim the longest continuous human habitation of anywhere on earth.

Bruno had attended a couple of Horst's lectures, delivered in excellent if strongly accented French. He had visited his digs and read a couple of articles Horst had published in the popular monthly Dossiers d'Arch�ologie. Normally a quiet man, Horst became passionate when he talked of his subject, the great mystery of the replacement of the Neanderthals by the Cro-�Magnons some thirty thousand years ago. Had it been violent? Did they interbreed? Were the Neanderthals wiped out by some plague or disease? It was, said Horst, the crucial question regarding our human origins. Whenever Horst spoke, Bruno caught a sense of the excitement that gripped the scholar.

"Horst," he answered. "How are you? I was just on my way to see you at the dig."

"Good, we need you here right away. And you had better bring a doctor with you. We've found a body."

"Congratulations. Isn't that what you wanted to find?"

"Yes, yes, but I want skeletons from the distant past. This one is wearing a St. Christopher medal around his neck and I think he's also wearing a Swatch. This is your department, Bruno, not mine."

The Crowded Grave

Another delightful installment in the internationally acclaimed series featuring Bruno, Chief of Police: It’s spring in the idyllic village of St. Denis, and for Chief of Police Bruno Courrèges that means lamb stews, bottles of his beloved Pomerol, morning walks with his hound, Gigi, and a new string of regional crimes and international capers. When a local archaeological team searching for Neanderthal remains turns up a corpse with a watch on its wrist and a bullet in its head, it’s up to Bruno to solve the case. But the task will not be easy, not with a meddlesome new magistrate, a series of attacks by animal rights activists on local foie gras producers, and a summit between France and Spain approaching—not to mention two beautiful, brilliant women vying for Bruno’s affections.

Another delightful installment in the internationally acclaimed series featuring Bruno, Chief of Police: It’s spring in the idyllic village of St. Denis, and for Chief of Police Bruno Courrèges that means lamb stews, bottles of his ..."

The Children Return

With clever twists and action aplenty, this installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno is a journey to St. Denis that readers won't soon forget. Bruno’s village of St. Denis has been called many things, but a hotbed of international intrigue has never been one of them ... until now. When an undercover agent is found murdered just as a prodigal son is set to retun from a grim tour in the Middle East, the small town suddenly finds itself host to a determined global tribunal, threatening the usual cheer brought by St. Denis’s annual wine festival.

With clever twists and action aplenty, this installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno is a journey to St. Denis that readers won't soon forget."

Fatal Pursuit

A pair of murders, a romance, and rivals in pursuit of a long-lost vintage car make for another mystery for Bruno, Chief of Police, in this installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno. It’s the start of summer, and Bruno’s found himself the last-minute replacement navigator in a car rally race. The event has attracted a spate of outsiders with deep pockets, big egos and, in the case of one young Englishman, an intriguing story about a lost Bugatti Type 57C. Having disappeared somewhere in France during World War II, and worth millions of dollars, it’s among the most beautiful cars ever made, driving its pursuers mad with greed. When a local scholar turns up dead, Bruno suspects unnatural causes. Still, while life may offer its challenges—often in the form of distractingly comely Parisiennes—there is always time for a good bottle and a home-cooked meal.

A pair of murders, a romance, and rivals in pursuit of a long-lost vintage car make for another mystery for Bruno, Chief of Police, in this installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno."

Black Diamond

A noted truffle expert is murdered in this installment of the delightful, internationally acclaimed series featuring Chief of Police Bruno. Filled with an abundance of food and wine (including, bien sûr, many, many truffles), Black Diamond is a deliciously entertaining concoction that delivers all the complexity and delights of the Dordogne itself. "A charming French village, great food, eccentric characters and a mystery to nudge things along.... Savory indeed" —The Seattle Times Something dangerous is afoot in St. Denis. In the space of a few weeks, the normally sleepy village sees attacks on Vietnamese vendors, arson at a local Asian restaurant, subpar truffles from China smuggled into outgoing shipments at a nearby market—all of it threatening the Dordogne’s truffle trade, worth millions of dollars each year, and all of it spelling trouble for Benoît “Bruno” Courrèges, master chef, devoted oenophile, and, most important, beloved chief of police. When one of his hunting partners, a noted truffle expert, is murdered, Bruno’s investigation into the murky events unfolding around St. Denis becomes infinitely more complicated. His friend wasn’t just a connoisseur of French delicacies, he was a former high-profile intelligence agent—and someone wanted him dead. As the strange crimes continue, Bruno’s detective work takes him from sunlit markets to dim cafés, from luxurious feasts to tense negotiations—from all of the paradisial pleasures of the region to its shadowy underworld—and reunites him with a lost love, an ambitious policewoman also assigned to the case.

Filled with an abundance of food and wine (including, bien sûr, many, many truffles), Black Diamond is a deliciously entertaining concoction that delivers all the complexity and delights of the Dordogne itself."

A Market Tale

The eighth installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno. Between the seventeenth-century mairie and the stone bridge over the river that winds through town, the village of St. Denis hosts its weekly market, as well-stocked with local gossip as with fresh produce and pâtés. As summer blooms, the newest talk of the town is the rapport between Kati, a Swiss tourist, and Marcel, a popular stall owner whom Kati meets over his choice strawberries. None are happier than police chief Bruno to see Marcel, a young widower, interested in love again, but as his friend’s romance deepens, Bruno senses trouble in the form of Marcel’s meddlesome sister Nadette. Even as Kati begins to put down roots in St. Denis, vending her delicious baking in the market, it seems the overbearing Nadette will stop at nothing to make her feel unwelcome. When her schemes reach the limits of law, Bruno takes it upon himself to set things right. An eBook short. A Vintage Short.

The eighth installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno."

The Devil's Cave

Another delightful installment in the internationally acclaimed series: It's spring in St. Denis. The village choir is preparing for its Easter concert, the wildflowers are blooming, and among the lazy whorls of the river a dead woman is found floating in a boat. This means another case for Bruno, the town’s cherished chief of police. With the discovery of sinister markings and black candles near the body, it seems to Bruno that the occult might be involved. And as questions mount—most notably about a troubling real estate proposal in the region and the sudden reappearance of an elderly countess—Bruno and his colleagues are drawn ever closer to a climactic showdown in the Gouffre de Colombac: the place locals call the Devil’s Cave.

Another delightful installment in the internationally acclaimed series: It's spring in St. Denis."

Dark Vineyard

'BEGUILING, EVOCATIVE, WONDERFUL ... THE ALEXANDER McCALL SMITH OF FRANCE' Francis Wheen In the second mystery of this mouthwatering and bestselling series, Bruno, Chief of Police of a small rural French town, must balance local tradition and modern progress while bringing a killer to justice. Just before dawn one summer morning Bruno is summoned by the wail of the siren in the little town of St Denis in the Périgord. A fire is raging in a local barn and spreading to the surrounding fields. When Bruno arrives at the scene, the smell of petrol leaves no doubt: it was arson. The barn belongs to an agricultural research company experimenting with genetically modified crops - an unpopular move in deeply traditional St Denis. Meanwhile, a Californian producer wants to set up a wine-making business in the valley. Despite the money and jobs this would bring, many fear it would destroy their town. When a violent death follows the crop burning, it looks as though someone is prepared to do anything to stop the scheme. Bruno will have to draw on all his local knowledge to reach the truth.

'BEGUILING, EVOCATIVE, WONDERFUL ."

The Resistance Man

Another delightful installment in the internationally acclaimed series featuring Chief of Police Bruno. It's summer in St. Denis for chief of police Bruno Courrèges, and that means a new season of cases. This time there are three weighing on his mind. First, there’s the evidence that a veteran of the French Resistance is connected to a notorious train robbery; then, the burglary of a former British spymaster's estate; and, finally, the murder of an antiques dealer whose lover is conveniently on the lam. As Bruno investigates, it becomes clear that they are connected--however, figuring out how will take every skill he possesses. Add in juggling the complex affections of two powerful women, maneuvering village politics, and managing his irrepressible puppy, Balzac, and Bruno has his hands full once again.

Another delightful installment in the internationally acclaimed series featuring Chief of Police Bruno."

The Templars' Last Secret

In this installment in the delightful, internationally acclaimed series Chief of Police Bruno works to connect the tangled threads of past and present. He nonetheless finds time, naturellement, to enjoy the wine, food, and beauty of the Périgord region. When a woman’s body is found at the foot of a cliff near the idyllic French town of St. Denis, chief of police Bruno Courrèges suspects a connection to the great ruin that stands above: a long-ago Knights Templar stronghold. With the help of Amélie, a young newcomer to the Dordogne, Bruno learns that the dead woman was an archaeologist searching for a religious artifact of incredible importance. And her ties to Islamic terrorists—not to mention the return of an old flame of Bruno’s, who is assigned to work with him on the case—only heightens the pressure to unravel the centuries-old mystery.

In this installment in the delightful, internationally acclaimed series Chief of Police Bruno works to connect the tangled threads of past and present."

A Taste for Vengeance

Another delightful installment in the internationally acclaimed series featuring Chief of Police Bruno: When a British tourist fails to turn up for a luxurious cooking vacation in the idyllic village in the south of France that Bruno Courrèges calls home, the chief of police is quickly on the case. Monika Felder is nowhere to be found, and her husband, a retired British general, is unreachable. Not long after Bruno discovers that Monika was traveling with a mysterious Irishman with a background in intelligence, the two turn up dead. Was she running away? How much does her husband really know? Meanwhile, the star of the girls’ rugby team is pregnant, jeopardizing her chances of being named to the French national squad. Bruno’s search for the truth in both cases leads him in some unexpected directions—but as ever, he and his friends find time along the way to savor the culinary delights of the region.

Another delightful installment in the internationally acclaimed series featuring Chief of Police Bruno: When a British tourist fails to turn up for a luxurious cooking vacation in the idyllic village in the south of France that Bruno ..."

The Patriarch

Another delightful installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno: Bruno Courrèges is thrilled when he receives an invitation to the lavish birthday celebration of his childhood hero, World War II flying ace Marco “the Patriarch” Desaix. But when the party ends in the death of one of Marco’s longtime friends, Gilbert, it turns into another day on the job for St. Denis's chief of police. All signs point to a tragic accident, but Bruno isn’t so sure, for there is more to the Desaix family's lives and loyalties than meets the eye. There’s Victor, the Patriarch’s son and Gilbert's sometimes rival, and Victor’s seductive wife, Madeleine, whose roving eye intrigues Bruno even more than her fierce political ambitions. Not to mention the Patriarch himself—did his postwar Soviet ties intersect too closely with Gilbert’s career in Cold War intelligence? As Bruno’s entanglement with the Desaix family becomes more complicated, his inquiries into Gilbert’s life will become a deadly threat to his own.

Not to mention the Patriarch himself—did his postwar Soviet ties intersect too closely with Gilbert’s career in Cold War intelligence?"

The Body in the Castle Well

Another installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno: When a young American woman turns up dead in the courtyard of an ancient castle, Bruno Courrèges initially assumes that she died of an overdose. But her doctor soon persuades him that things may not be so simple, setting Bruno on an investigation that will lead him from the Renaissance to the French Resistance and beyond. Claudia Muller had been studying with Monsieur de Bourdeille, a renowned art historian who became extraordinarily wealthy through the sale of paintings that may have been falsely attributed—or so Claudia suggested shortly before her death. In his younger days, Bourdeille had aided the Resistance and been arrested by a Vichy police officer whose own life story also becomes inexorably entangled with the case. Also in the mix is a young falconer who works at the Château des Milandes, the former home of fabled jazz singer Josephine Baker. Once again, it’s up to Bruno to make sure that justice is served—along with a generous helping of his signature Périgordian cuisine, of course.

Another installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno: When a young American woman turns up dead in the courtyard of an ancient castle, Bruno Courrèges initially assumes that she died of an ..."

Bruno, Chief of Police

"Originally published in Great Britain in slightly different form by Quercus, London, in 2008"--T.p. verso.

"Originally published in Great Britain in slightly different form by Quercus, London, in 2008"--T.p. verso."

Crowded Grave

Bruno’s day has not started well: an international summit to be held in a local chateau is being threatened by Basque separatists, and animal-rights campaigners have declared a war on the beloved local delicacy, foie gras, in the form of an attack on a local duck farm. Horst Vogelstern, a famed researcher working in the archaeological treasure house that is the Vézère Valley, has made a find that promises to change our understanding of humankind’s evolution, but complications ensue when another body is unearthed at the site—one that sports a gunshot wound to the head and is definitely not ancient. Bruno senses a link between the activist groups and the unidentified body, but his investigation is hindered by further attacks on local farms and the interference of local bureaucrats. When Horst disappears under mysterious circumstances, the scope of the case widens, and tension in the town of St-Denis reaches an all-time high. The Crowded Grave is a sense-stirring portrait of the culture, camaraderie and culinary customs of French country life, accompanied by a satisfying and intoxicating mystery.

The Crowded Grave is a sense-stirring portrait of the culture, camaraderie and culinary customs of French country life, accompanied by a satisfying and intoxicating mystery."

A Birthday Lunch

When not solving mysteries in his beloved little town of St. Denis, Bruno, the chief of police, likes to cook and share his meals with local guests and dear friends. For his friend Florence’s birthday, Bruno is preparing a surprise. But, like much else in St. Denis, it’s a communal effort, and one that Bruno pulls off with a little help from the countryside and the town. He finds an ancient hand axe in the ground during his morning run with his dog Balzac—it will make a spectacular gift—picks up newspapers for wrapping by the medical center, and gathers fresh nettles from by his chicken coop and thyme from his garden for soup and garnish. It’ll be the perfect day for Bruno and his guests to celebrate their collective history. A Vintage Shorts original. An ebook short.

When not solving mysteries in his beloved little town of St. Denis, Bruno, the chief of police, likes to cook and share his meals with local guests and dear friends."

Bruno, Chief Of Police: Books 1-4

This special ebook bundle includes all four books in the Bruno, Chief of Police, series: Bruno, Chief of Police, The Dark Vineyard, Black Diamond, and The Crowded Grave. Martin Walker’s mystery series set in the idyllic South of France combines suspenseful plotting, Gallic charm, the region’s delectable gastronomy, and a hero to root for. The Bruno novels have been widely praised for balancing a charming evocation of small-town life in La France Profonde with expert plotting and a seamless incorporation of social and political tensions in modern-day France, as well as for venturing into some of the darker corners of the nation’s history. They are international bestsellers and have delighted readers all over the world. Praise for Bruno "A perfect little gem of a whodunit." —Winnipeg Free Press "Martin Walker's bucolic mysteries offer a gentle reminder to slow down and smell the grapes." —The New York Times Book Review "Gallic charm suffuses Walker's third mystery of the French countryside. . . . A savory delight." —Publishers Weekly (starred review)

The Bruno novels have been widely praised for balancing a charming evocation of small-town life in La France Profonde with expert plotting and a seamless incorporation of social and political tensions in modern-day France, as well as for ..."

Bruno and le Père Noel

It's the last market day before Christmas and Bruno, Chief of Police is preparing for a traditional gastronomic feast. But, never off duty for long, Bruno is called to action when he receives information that a prisoner on parole has gone missing, last seen heading for St Denis, where his ex-wife and son live. The goose, the oysters, his English girlfriend's Christmas pudding and Bruno's famous mulled wine will just have to wait... And if Martin Walker's 'Bruno' novels have inspired you to visit this beautiful part of France yourself, keep reading for the author's own guide to 'A Perfect Week in Perigord'.

And if Martin Walker's 'Bruno' novels have inspired you to visit this beautiful part of France yourself, keep reading for the author's own guide to 'A Perfect Week in Perigord'."

The Shooting at Chateau Rock

This installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno will take all of Bruno's resolve and quick thinking to untangle a mystery that will reach its deadly denouement at the château of an aging rock star. But in true Bruno fashion, at least lunchtime is never in danger. It’s summer in the Dordogne and the heirs of a modest sheep farmer learn that they have been disinherited. Their father’s estate has been sold to an insurance company in return for a policy that will place him in a five-star retirement home for the rest of his life. But the farmer dies before he can move in. Was it a natural death? Or was there foul play? Chief of Police Bruno Courrèges is soon on the case, embarking on an investigation that will lead him to several shadowy insurance companies owned by a Russian oligarch with a Cypriot passport. The arrival of the oligarch’s daughter in the Périgord only further complicates one of Bruno’s toughest cases yet.

This installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno will take all of Bruno's resolve and quick thinking to untangle a mystery that will reach its deadly denouement at the château of an aging ..."

Bruno and the Carol Singers

The fifth installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno. In this exclusive eBook, St. Denis is experiencing its coldest winter in years—bringing the promise of snow and shared chocolats chauds in the village’s cafés—and Bruno is occupied with his Christmastime duties. From organizing carolers to playing Father Christmas for the local schoolchildren, Bruno has his hands full . . . at least until some funds raised for charity go missing. Then it’s up to Bruno to save the day (and perhaps manage a Christmas miracle) in this charming holiday installment of Walker’s best-selling series.

A Christmas Mystery of the French Countryside Martin Walker . ALSO BY MARTIN WALKER Fiction The Devil's Cave Bruno , Chief of Police The Dark Vineyard Black Diamond The Crowded Grave The Caves of Périgord Nonfiction The Iraq War Europe ..."

Lucy: A Novel - Kincaid, Jamaica Review & Synopsis

 Synopsis

The coming-of-age story of one of Jamaica Kincaid's most admired creations--newly available in paperback

Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. Lewis and Mariah are a thrice-blessed couple--handsome, rich, and seemingly happy. Yet, alomst at once, Lucy begins to notice cracks in their beautiful facade. With mingled anger and compassion, Lucy scrutinizes the assumptions and verities of her employers' world and compares them with the vivid realities of her native place. Lucy has no illusions about her own past, but neither is she prepared to be deceived about where she presently is. 

At the same time that Lucy is coming to terms with Lewis's and Mariah's lives, she is also unravelling the mysteries of her own sexuality. Gradually a new person unfolds: passionate, forthright, and disarmingly honest. In Lucy, Jamaica Kincaid has created a startling new character possessed with adamantine clearsightedness and ferocious integrity--a captivating heroine for our time.

Review

Jamaica Kincaid was born in St. John's, Antigua. Her books include At the Bottom of the River, Annie John, Lucy, A Small Place, The Autobiography of My Mother, My Brother, My Garden (Book), Mr. Potter, Talk Stories, a collection of New Yorker writings, and My Favorite Plant, a collection of writings on gardens which she edited. In 2000 she was awarded the Prix F�mina �tranger for My Brother. She lives with her family in Vermont.Like her Annie John ( LJ 4/1/85), Kincaid's new heroine travels the coming-of-age road. Lucy, a 19-year-old West Indi an, sheds her cloistered colonial upbringing by accepting a job as an au pair in New York--the perfect setting for satisfying her gluttonous appetite for both mental and sensual stimulation. The startling disintegration of her employers' marriage triggers flashbacks of home and family; the reflected details are unsettling. Lucy finds being born "woman" places her in a territory she wants to explore and at the same time escape. As she begins her exploration, cathartic tears blur the first pages of her diary. But Lucy plunges ahead, reassured by the discovery of an authentic self. Strong in style and substance, dazzling with its sharp-edged prose, this is a novel no one should miss. Literary Guild selection; previewed in Prepub Alert, LJ 6/1/90.

- Bibi S. Thompson, "Library Journal"

Copyright 1990 Reed Business Information, Inc.

Lucy

Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. At first glance Lewis and Mariah are a blessed couple – handsome, rich, and seemingly happy. Almost at once, however, Lucy begins to notice cracks in their beautiful facade. With a mixture of anger and compassion, Lucy scrutinizes the privileged, facile world of her employers while comparing it to the vivid realities of her home in the Caribbean. Lucy has no illusions about her own past, but neither is she prepared to be deceived about where she presently is. In this environment a new person unfolds: passionate, sexually forthright, and disarmingly honest. In Lucy, Jamaica Kincaid has created a startling new character: a captivating heroine possessed with clear-sightedness and ferocious integrity. Part of the Picador Collection, a new series showcasing the best of modern literature.

In Lucy, Jamaica Kincaid has created a startling new character: a captivating heroine possessed with clear-sightedness and ferocious integrity. Part of the Picador Collection, a new series showcasing the best of modern literature."

A Character in Transition: The Theme of Reinventing One's Self in Jamaica Kincaid's Work "Lucy"

Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 2,0, Humboldt-University of Berlin (Amerikanistisches Institut), course: HS: Postcolonial Theory, Literature and Gender, 11 entries in the bibliography, language: English, abstract: Introduction The autobiographical novel Lucy was written by Jamaica Kincaid in 1990. The author, who was born in 1949 on the Caribbean island of Antigua, is one of the representative figures of postcolonial literature, which has been gaining prominence since the 1970s. With the apppearance of the work “The Empire Writes Back: Theory and Practice in Post-Colonial Literatures” written by Bill Ashcroft, Gareth Griffiths, and Helen Tiffin in 1989 the popularity of the term “Postcolonialism” grew even more. The definition of the term is still widely discussed but in general postcolonial literature deals with the effects of colonization on the colonized people and society after the end of colonization. The term “post” indicates that Postcolonialism is relating to the time following the establishment of independence in a colony. That means, the time after the colonial powers have left the country and the time of colonization is over. Nevertheless, the issues of Postcolonialism are so many-sided that they often transcend a strict definition of the term, which is therefore used much more loosly in practice. Postcolonial themes not only discuss the period after the departure of the imperial powers but also deal with the time before independence. Major issues are the oppression of the indigenous people by the imperial powers, the gaining of independence, the impact of colonization on postcolonial history and culture, the search for personal and national identity but also the economic dependency of the postcolony on its former colonizers. Thus some critics even question the term Postcolonialsm, since it indicates that the period when the colony was dependent on its colonizers is over. They argue that most former colonies are still or even again economically dependent on the mother country that colonized them. Those neocolonial forms of oppression and exploitation are probably caused by globalization, which means by the increasing mobility of goods, services, labour, technology and capital throughout the world. [...]

With the apppearance of the work “The Empire Writes Back: Theory and Practice in Post-Colonial Literatures” written by Bill Ashcroft, Gareth Griffiths, and Helen Tiffin in 1989 the popularity of the term “Postcolonialism” grew even ..."

Jamaica Kincaid

Beginning with a biographical chapter, this text traces the development of Kincaid's work. Each of the novels and the collection of short stories is discussed in a separate chapter that includes sections on plot, character, and theme.

Beginning with a biographical chapter, this text traces the development of Kincaid's work. Each of the novels and the collection of short stories is discussed in a separate chapter that includes sections on plot, character, and theme."

Understanding Jamaica Kincaid

Understanding Jamaica Kincaid introduces readers to the prizewinning author best known for the novels Annie John, Lucy, and The Autobiography of My Mother. Justin D. Edwards surveys Jamaica Kincaid's life, career, and major works of fiction and nonfiction to identify and discuss her recurring interests in familial relations, Caribbean culture, and the aftermath of colonialism and exploitation. In addition to examining the haunting prose, rich detail, and personal insight that have brought Kincaid widespread praise, Edwards also identifies and analyzes the novelist's primary thematic concerns - the flow of power and the injustices faced by people undergoing social, economic, and political change. Edwards chronicles Kincaid's childhood in Antigua, her development as a writer, and her early journalistic work as published in the New Yorker and other magazines. In separate chapters he provides critical appraisals of Kincaid's early novels; her works of nonfiction, including My Brother and A Small Place; and her more recent novels, including Mr. Potter. colonization and neocolonization and warns her readers about the dire consequences of inequality in the era of globalization.

Understanding Jamaica Kincaid introduces readers to the prizewinning author best known for the novels Annie John, Lucy, and The Autobiography of My Mother."

Mother and Motherland in Jamaica Kincaid

This book introduces students to the work of the Caribbean writer Jamaica Kincaid. The author offers a close analysis of six of Kincaid's works, reading the central theme of the love-hate relationship between mother and daughter as a metaphor for the dialectic of power and powerlessness governing nature and history. Placed in the specific context of the Caribbean in colonial times, the mother-daughter plot reads as an allegory of the conflict between the motherland and the colony. The association is played out at two levels, with the nurturing figure of childhood embodying the African-rooted Caribbean world, and the scornful mother of adolescence evoking the subjugating colonial power. Two conflicting worlds, the African and the European, meet in the duplicitous figure of the mother.

This book introduces students to the work of the Caribbean writer Jamaica Kincaid."

Jamaica Kincaid and Caribbean Double Crossings

Original versions of these contributions were presented at the 2002 conference of the American Comparative Literature Association in San Juan, Puerto Rico.

Original versions of these contributions were presented at the 2002 conference of the American Comparative Literature Association in San Juan, Puerto Rico."

Mukherjee's "Jasmine" and Kincaid's "Lucy". First generation immigrant novels

Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,0, Tel Aviv University (Department of English), course: American Women Writers after World War II, 9 entries in the bibliography, language: English, abstract: I decided to write about the two first generation immigrant novels because I felt that as a woman and a first generation immigrant, I could in a way identify with the protagonists and respond to the problems raised by both authors. The authors, sharing the common cultural space, also share similar experiences and face similar problems. Coming from quite different backgrounds they might have more in common than it would seem at a first glance. In the age of globalization migration has become a world wide issue. Its problems spread from traditionally immigrant countries, like the United States and Canada to Europe. Refugees from the Third World countries fill the pages of magazines and cannot be ignored in cities throughout the world. In this paper I would like to see what problems are raised, what are similarities or differences between the ideas represented in the novels and how autobiographical features influenced the writing.

In this paper I would like to see what problems are raised, what are similarities or differences between the ideas represented in the novels and how autobiographical features influenced the writing."

Jamaica Kincaid's Prismatic Subjects

Nonfiction. Literary Criticism. Women's Studies. African American Studies. Jamaica Kincaid's polyphonic narratives, at once locational, relational and intercultural, speak lyrically to the widest constituency. They also might be said to provide the cognitive tools through which the reader makes sense of being in the contemporary world. Covi's JAMAICA KINCAID'S PRISMATIC SUBJECTS: MAKING SENSE OF BEING IN THE WORLD proposes a fresh reading of Kincaid's lyrical and political storytelling as a central contribution to materially-grounded feminist and postcolonial theories over the past twenty years. Covi foregrounds the relevance of Kincaid's articulation of such a discourse and shows just how it is capable of accounting for contemporary socio-cultural complexity and of pointing the way towards a politics of collective justice.

Covi's JAMAICA KINCAID'S PRISMATIC SUBJECTS: MAKING SENSE OF BEING IN THE WORLD proposes a fresh reading of Kincaid's lyrical and political storytelling as a central contribution to materially-grounded feminist and postcolonial theories ..."

Caribbean Genesis

Philosophical exploration of Jamaica Kincaid’s entire literary oeuvre.

Philosophical exploration of Jamaica Kincaid’s entire literary oeuvre."

The Autobiography of My Mother

Celebrating Fifty Years of Picador Books Xuela Claudette Richardson is recalling the last seventy years of her life, and so she must begin with her birth, and the accompanying death of her mother. Xuela’s vivid, visceral recollections of the lonely, unsettled life that follows the trauma of her arrival include that of her distant father, who sends her away to another household at the earliest opportunity; of her passion for the stevedore Roland, who fulfils her sexually but not intellectually; and of her husband, who provides her with status and a wealthy lifestyle but whom she is incapable of loving. Poetic and disturbing, The Autobiography of My Mother is one of Kincaid’s most powerful statements of Afro-Caribbean women’s struggle for identity and independence, against a hostile backdrop of sexism and colonialism. Part of the Picador Collection, a new series showcasing the best of modern literature.

Part of the Picador Collection, a new series showcasing the best of modern literature."

Party

A beautifully illustrated story of three girls caught up in the most curious of mysteries.

Pam, Beth and Sue are at a party celebrating the Nancy Drew mystery books, when they discover a mystery at the party itself."

A Small Place

A brilliant look at colonialism and its effects in Antigua - by the author of Annie John."

At the Bottom of the River

Powerful and lyrical, this is an unforgettable collection from a unique and necessary literary voice.Part of the Picador Collection, a new series showcasing the best of modern literature."

Mother Imagery in the Novels of Afro-Caribbean Women

"Focusing on specific texts by Jamaica Kincaid, Maryse Conde, and Paule Marshall, this study explores the intricate trichotomous relationship between the mother (biological or surrogate), the motherlands Africa and the Caribbean, and the mothercountry represented by England, France, and/or North America. The mother-daughter relationships in the works discussed address the complex, conflicting notions of motherhood that exist within this trichotomy. Although mothering is usually socialized as a welcoming, nurturing notion, Alexander argues that alongside this nurturing notion there exists much conflict. Specifically, she argues that the mother-daughter relationship, plagued with ambivalence, is often further conflicted by colonialism or colonial intervention from the "other," the colonial mothercountry." "Mother Imagery in the Novels of Afro-Caribbean Women offers an overview of Caribbean women's writings from the 1990s, focusing on the personal relationships these three authors have had with their mothers and/or motherlands to highlight links, despite social, cultural, geographical, and political differences, among Afro-Caribbean women and their writings. Alexander traces acts of resistance, which facilitate the (re)writing/righting of the literary canon and the conception of a "newly created genre" and a "womanist" tradition through fictional narratives with autobiographical components." --Book Jacket.

" "Mother Imagery in the Novels of Afro-Caribbean Women offers an overview of Caribbean women's writings from the 1990s, focusing on the personal relationships these three authors have had with their mothers and/or motherlands to highlight ..."

Small Worlds, Global Lives

Geologists, most from Australia and Britain but with some outliers from continental Europe and North America, focus on small islands, where the scarcity of people and resources make migration substantially important socially and economically. The topics include the Azores; historical, cultural, and literary perspectives on emigration from the minor islands of Ireland; Nevis and the post-war labor movement in Britain; islands and the migration experience in the fiction of Jamaica Kincaid; from dystopia to utopia on Norfolk Island; Tongans online; the changing contours of migrant Samoan kinship; and finding a retirement place in sunny Corfu.

9 Between the Devil and a Warm Blue Sea : Islands and the Migration Experience in the Fiction of Jamaica Kincaid Rachel Hughes [ T ] he ... I am specifically interested in Kincaid's semi - autobiographical novel Lucy published in 1991."

Cosmopolitan Fictions

Participating in the reframing of literary studies, Cosmopolitan Fictions identifies, as "cosmopolitan fiction\

The works take as their subjects: * European unification * the human rights movement * the AIDS epidemic * the new South Africa."

Making Men

Colonialism left an indelible mark on writers from the Caribbean. Many of the mid-century male writers, on the eve of independence, looked to England for their models. The current generation of authors, many of whom are women, have increasingly looked--and relocated--to the United States. Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon--as represented by C. L. R. James and V. S. Naipaul, among others--and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States. Discussing the canonical Caribbean narrative as it reflects national identity under the domination of English cultural authority, Belinda Edmondson focuses particularly on the pervasive influence of Victorian sensibilities in the structuring of twentieth-century national identity. She shows that issues of race and English constructions of masculinity not only are central to West Indian identity but also connect Caribbean authorship to the English literary tradition. This perspective on the origins of West Indian literary nationalism then informs Edmondson's search for female subjectivity in current literature by West Indian women immigrants in America. Making Men compares the intellectual exile of men with the economic migration of women, linking the canonical male tradition to the writing of modern West Indian women and exploring how the latter write within and against the historical male paradigm in the continuing process of national definition. With theoretical claims that invite new discourse on English, Caribbean, and American ideas of exile, migration, race, gender identity, and literary authority, Making Men will be informative reading for those involved with postcolonial theory, African American and women's studies, and Caribbean literature.

4 For a more detailed analysis of Jamaica Kincaid's Lucy and its use of " home " and " away " thematics , see my discussion in chapter 6 . ... ( Hereafter all quotations from the novel are taken from the Penguin edition , 1991. ) ..."

Writing African American Women: K-Z

"Contributors look at the writers and their works from a feminist-womanist perspective, and address issues relating to race, class, and gender. Topical entries, e.g., "Work," "Protest Tradition," "Religion," "The Use of Myth," and "Memory," provide a rich context for the literature."--Choice review.

The history of African American feminist literature spans approximately only 250 years , yet a majority of black female writers express a common thematic concern : the struggle of black women to seek dignity and freedom in a racist and ..."

The Transnationalism of American Culture

This book studies the transnational nature of American cultural productions, examining how they serve as ways of perceiving American culture. Visiting literature, film, and music, it considers how manifestations of American culture have traveled and what has happened to the texts in the process, including how they have been commodified.

Published in 1990, Jamaica Kincaid's novel Lucy and its eponymous protagonist have been in the center of much discussion on the subject of selfidentification.1 Critics have analyzed: Lucy's identity formation as a product of an animated ..."

Writing African American Women

The history of African American feminist literature spans approximately only 250 years , yet a majority of black female writers express a common thematic concern: the struggle of black women to seek dignity and freedom in a racist and ..."

Clear Word and Third Sight

DIVAn exploration of the implicit and explicit ways that an alternate African diasporic consciousness, grounded in folk mores, is expressed in Afro-Caribbean writing./div

In 1990 Jamaica Kincaid's second novel , Lucy , was published by Farrar , Straus and Giroux . While Annie in Annie John leaves for school in England at the end of that story , the young West Indian woman Lucy is a recent United States ..."

Making Homes in the West/Indies

This study focuses on the ways in which two of the most prominent Caribbean women writers residing in the United States, Michelle Cliff and Jamaica Kincaid, have made themselves at home within Caribbean poetics, even as their migration to the United States affords them participation and acceptance within its literary space.

This study focuses on the ways in which two of the most prominent Caribbean women writers residing in the United States, Michelle Cliff and Jamaica Kincaid, have made themselves at home within Caribbean poetics, even as their migration to ..."

Unsettling the Bildungsroman

Unsettling the Bildungsroman combines genre and cultural theory and offers a cross-ethnic comparative approach to the tradition of the female novel of development and the American coming-of-age narrative. Examines the work of Jamaica Kincaid, Sandra Cisneros, Maxine Hong Kingston, and Audre Lorde.

Unsettling the Bildungsroman combines genre and cultural theory and offers a cross-ethnic comparative approach to the tradition of the female novel of development and the American coming-of-age narrative."

White on White/black on Black

White on White/Black on Black is a unique contribution to the philosophy of race. The book explores how fourteen philosophers, seven white and seven black, philosophically understand the dynamics of the process of racialization. Combined, the contributions demonstrate different and similar conceptual trajectories of raced identities that emerge from within and across the racial divide. Each of the fourteen philosophers, who share a textual space of exploration, name blackness/whiteness, revealing significant political, cultural, and existential aspects of what it means to be black/white. Through the power of naming and theorizing whiteness and blackness, White on White/Black on Black dares to bring clarity and complexity to our understanding of race identity.

An Aesthetic Stand - off Jamaica Kincaid's novel Lucy is the story of a young black woman from an un- named Caribbean island , who arrives in an unnamed city in North America to take up employment as an au - pair in a white family ."

Achilles in Vietnam: Combat Trauma and the Undoing of Character - Shay, Jonathan Review & Synopsis

 Synopsis

An original and groundbreaking book that examines the psychological devastation of war by comparing the soldiers of Homer's Iliad with Vietnam veterans suffering from post-traumatic stress disorder.

In this moving, dazzlingly creative book, Dr. Shay examines the psychological devastation of war by comparing the soldiers of Homer's Iliad with Vietnam veterans suffering from post-traumatic stress disorder.

 

A classic of war literature that has as much relevance as ever in the wake of the wars in Iraq and Afghanistan, it is a "transcendent literary adventure" (The New York Times) and "clearly one of the most original and most important scholarly works to have emerged from the Vietnam War" (Tim O'Brien, author of The Things They Carried).

Review

Shay works from an intriguing premise: that the study of the great Homeric epic of war, The Iliad, can illuminate our understanding of Vietnam, and vice versa. Along the way, he compares the battlefield experiences of men like Agamemnon and Patroclus with those of frontline grunts, analyzes the berserker rage that overcame Achilles and so many American soldiers alike, and considers the ways in which societies ancient and modern have accounted for and dealt with post-traumatic stress disorder---a malady only recently recognized in the medical literature, but well attested in Homer's pages. The novelist Tim O'Brien, who has written so affectingly about his experiences in combat, calls Shay's book "one of the most original and most important scholarly works to have emerged from the Vietnam war." He's right.Jonathan Shay is a Boston-area psychiatrist whose patients are Vietnam combat veterans with severe, chronic post-traumatic stress disorder in the Department of Veterans Affairs Outpatient Clinic. He is also on the faculty of Tufts Medical School. He lives in Cambridge, Massachusetts.

Achilles in Vietnam

An original and groundbreaking book that examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with Vietnam veterans suffering from post-traumatic stress disorder. In this moving, dazzlingly creative book, Dr. Shay examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with Vietnam veterans suffering from post-traumatic stress disorder. A classic of war literature that has as much relevance as ever in the wake of the wars in Iraq and Afghanistan, it is a “transcendent literary adventure” (The New York Times) and “clearly one of the most original and most important scholarly works to have emerged from the Vietnam War” (Tim O’Brien, author of The Things They Carried).

In this moving, dazzlingly creative book, Dr. Shay examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with Vietnam veterans suffering from post-traumatic stress disorder."

Voices in Wartime

The Voices in Wartime Anthology explores the experience of war through the literary arts from ancient times to the present. The anthology includes the voices of US veterans of the Iraq war; experts on war trauma and the history of war; and poets from around the world. It includes poetry, essays, and narratives based on interviews conducted for the feature-length documentary film Voices in Wartime. The book features active-duty soldiers, veterans, torture victims, war correspondents, the families of the disappeared and the dead, poets, peace activists--the compelling responses of unique, individual human beings to the experience of war. Their poetry springs from unrelenting honesty, personal grief and deep compassion, and is infused with an understanding of hardship and suffering.The Voices in Wartime Anthology explores the experience of war through the literary arts from ancient times to the present. The anthology features the voices of US veterans of the Iraq war; experts on war trauma and the history of war; and poets from around the world. It includes:Jose Diaz, US Army Reserve military policeman and father of two. He returned to the US in the fall of 2004 after serving a year's deployment in Iraq as a military police sergeant in the Army Reserves. Brian Turner, who earned an MFA in Creative Writing (poetry) from the University of Oregon, and then served in the US Army for seven years. He was an infantry team leader in Iraq for a year beginning November 2003, and served with the Stryker Brigade Combat Team, 2nd Infantry Division. Lt. General William Lennox, superintendent of the United States Military Academy at West Point. He wrote his Ph.D. dissertation on American war poetry. Paul Mysliwiec, US Army First Lieutenant who led his unit through the invasion of Baghdad in spring 2003 and then spent months searching for Iraqi weapons of mass destruction. Jonathan Shay, psychiatrist for the United States Department of Veterans Affairs in Boston. Shay treats combat veterans with severe psychological injuries and is the author of the best-selling books "Achilles in Vietnam: Combat Trauma and the Undoing of Character," and "Odysseus in America: Combat Trauma and the Trials of Homecoming." Emily Warn, a poet, teacher, and activist--and the author of "The Novice Insomniac" and three other collections of poetry. Chris Hedges, a former "New York Times" war correspondent with 15 years of experience in places such as El Salvador, Kosovo, and the Persian Gulf. He shared a 2002 Pulitzer Prize for coverage of global terrorism. Andrew Himes, Executive Producer of Voices in Wartime and director of Beyond Wartime. David Connolly, poet and veteran who served honorably in Vietnam with the 11th Armored Cavalry Regiment. Wilfred Owen, British soldier-poet during the First World War. Died in combat a week before the Armistice in 1918. Alix Wilber, novelist and Co-Executive Producer of Voices in Wartime. Jonathan Schell, author of Unconquerable World, and Fate of the Earth. Craig White, NBC cameraman, embedded with the 3rd Infantry Division, one of the first US Army units to enter Baghdad in April 2003. Sinan Antoon, Iraqi poet, filmmaker, and human rights activist. Chris Abani, Nigerian human rights activist and refugee. Nguyen Duy, widely considered the most important Vietnamese poet of his generation. Antonieta Villamil, Columbian poet, peace and human rights activist. Sheila Sebron, disabled, African-American Air Force veteran living with chronic PTSD and severe pain. John Henry Parker, veteran and founder of Veterans and Families. "If history and literature have taught us anything," said anthology editor and film producer Andrew Himes, "it is that in the midst of trauma, violence and death, it is the poets who help us make sense of the senseless. In a world turned upside down, listening attentively to the stories of others can open our hearts, our minds, and point the way to change."

The book features active-duty soldiers, veterans, torture victims, war correspondents, the families of the disappeared and the dead, poets, peace activists--the compelling responses of unique, individual human beings to the experience of ..."

Purple Hearts and Silver Stars

In 1996 I celebrated a year of sobriety and began a journey of rebirth. That year I developed confidence in myself that previously I never experienced. I took my personal collection of notes, diaries, and tapes from my year in Vietnam and begin to organize them into a book. In 1997 I completed the manuscript and titled it One Heart One Mind: one man's memoir of a tour of Vietnam. The book not only dealt with my year in Vietnam but with the emotional cost of the war on my soul and psyche. With assistance from Jonathan Shay M.D., Ph.D., the author of Achilles in Vietnam (a book about combat trauma and the undoing of character), I tried unsuccessfully to get my book published. In 1998 I legally changed my name from John Joseph to Janice Josephine and my writing now included transgender issues. I felt that I had come to terms with my trauma from the Vietnam War, and I was ready to move on. In 1999-2000 I wrote and performed a play "I Was Always Me." The two-act play is a monologue of my transition from John to Janice. In the fall of 2000 I had my first article published in the Transgender Tapestry Magazine. In 2001 I was the subject of a documentary: "TransJan" produced and directed by Katherine Cronin. Its premiere at the Provincetown International Film Festival opened the door for me and after each screening; I conducted a Q&A about transgender issues. The latest screening of "TransJan" was in 2002, when it was selected to be one of the films for the Tampa Gay and Lesbian Film Festival. In 2001, in Boston, while performing readings of my poems and rants at Slams, I met the writer Toni Amato. Shortly after that meeting I begin attending Toni's creative writing workshops at Women's Words and later attended one of her weekend writer retreats. That year I presented "TransJan" and sat on panels at the Transcending Boundaries Conference at Yale University and at Speak Out, a conference at Bunker Hill Community College in Boston. My most challenging event that year was the L/B/T/Allies Strategy Summit in Vermont, sponsored by the National Organization for Women. In 2002 I continued to do workshops using creative writing as a means of getting people to open up about transgender issues. I also put together a course of study on transgender issues called "Transsexuals are Human Also." I conducted creative writing workshops at the Midwest L/G/B/T/Allies College Conference. Out of this conference came my transgender monologue,' and, as "My Vagina Monologue," I performed this at the St Petersburg Metropolitan Community Churcher's Talent Show, and it was published in the summer issue of the Transgender Tapestry Magazine. This year I have presented creative writing workshops at the International Foundation for Gender Education in Philadelphia, the New Hampshire Transgender Resources for Education and Empowerment at the University of New Hampshire in Durham, and at Silver Threads, a weekend retreat on St Pete Beach. I have put together a collection of my poems, rants and essays that are directly from a transwoman's heart called "Purple Hearts and Silver Stars." One of my short stories was published as part of Mary Boenke's Trans Forming Families, real stories about transgender loved ones. Later this year two short stories will published in anthologies, Pinned down by Pronouns (http://www.convictionbooks.com) and Trans-lating Faith, Pilgrim Press, 700 Prospect Ave., Cleveland, Ohio. I am an active member of a local group of women artists called "Women Artist Rising" with whom I share my poems, rants and stories at various WAR events (http://www.womenartistsrising.com). My new column "Perspectives from a Trans-woman" that started in a local newsletter is now in syndication.

In 1997 I completed the manuscript and titled it One Heart One Mind: one man's memoir of a tour of Vietnam. The book not only dealt with my year in Vietnam but with the emotional cost of the war on my soul and psyche."

Posttraumatic Stress Disorder in Contemporary Colombian Literature

This is a study of three contemporary Colombian novels using combat trauma theory as an interpretive model. Following the method of psychological literary criticism that psychiatrist Jonathan Shay used in his books Achilles in Vietnam: Combat Trauma and the Undoing of Character (1994) and Odysseus in America: Combat Trauma and the Trials of Homecoming (2002) to analyze the characters Achilles and Odysseus, I propose to analyze characters in Fernando Vallejo's La virgen de los sicarios 'Our Lady of the Assassins' (1994), Darío Jaramillo Agudelo's Cartas cruzadas 'Crossed Letters' (1995), and Juan Gabriel Vásquez El ruido de las cosas al caer 'The Sound of Things Falling' (2011) to extend Shay's theories of combat trauma to a broad cultural context. While Colombia has not been engaged in a conventional, state-to-state war, it has been at a constant level of large-scale internal violence for over fifty years, perpetrated by a complex mix of paramilitaries, guerillas, narcotraffickers, and state-sponsored organizations: Colombia has consistently ranked among the top countries in the world for rates of homicide and displaced peoples. Shay's model allows me to argue this kind of radically epistemologically and phenomenologically destabilizing environment in which non-combatants as well as combatants live under the constant threat of violence as producing severe psychological trauma. These texts have an additional cultural-psychological function. Shay identifies as an effective coping strategy the victims' act of integrating the traumatic memory into a coherent narrative, in order to both regain authority over their consciousness and to give social testimony to the injustice of the traumatic event. I will show how the characters in the texts I analyze make themselves psychologically whole in direct relation to the success with which they can narrate the story of their own trauma: those who fail do so in large part because the discourses available to them are inadequate to articulate the profundity of the trauma; those who succeed do so because they have found a form and structure that allows them to construct a coherent narrative of Self that incorporates the traumatic memory of the nation's failure.

This is a study of three contemporary Colombian novels using combat trauma theory as an interpretive model."

Moral Injury

Moral injury has developed in earnest since 2009 within psychology and military studies, especially through work with veterans of the U.S. military’s wars in Afghanistan and Iraq. A major part of this work is the attempt to identify means of healing, recovery, and repair for those morally injured by their experiences in combat (or similar situations). What this volume does is to provide insight into the identification of moral injury, the development of the notion, attempts to work with those affected, emerging ideas about moral injury, portraits of moral injury in the past and present, and, especially, what creative engagement with moral injury might look like from a variety of perspectives. As such, it will be an important resource for Christian ministers, chaplains, health care workers, and other providers and caregivers who serve afflicted communities.

 Jonathan Shay , Achilles in Vietnam : Combat Trauma and the Undoing of Character (New York: Simon and Schuster 1994); Jonathan Shay , Odysseus in America: Combat Trauma and the Trials of Homecoming (New York: Scribner, 2002). 11."

Combat Trauma

Americans have long been asked to support the troops and care for veterans' psychological wounds. Who, though, does this injunction serve? As acclaimed scholar Nadia Abu El-Haj argues here, in the American public’s imagination, the traumatized soldier stands in for destructive wars abroad, with decisive ramifications in the post-9/11 era. Across the political spectrum the language of soldier trauma is used to discuss American warfare, producing a narrative in which traumatized soldiers are the only acknowledged casualties of war, while those killed by American firepower are largely sidelined and forgotten. In this wide-ranging and fascinating study of the meshing of medicine, science, and politics, Abu El-Haj explores the concept of post-traumatic stress disorder and the history of its medical diagnosis. While antiwar Vietnam War veterans sought to address their psychological pain even as they maintained full awareness of their guilt and responsibility for perpetrating atrocities on the killing fields of Vietnam, by the 1980s, a peculiar convergence of feminist activism against sexual violence and Reagan’s right-wing “war on crime” transformed the idea of PTSD into a condition of victimhood. In so doing, the meaning of Vietnam veterans’ trauma would also shift, moving away from a political space of reckoning with guilt and complicity to one that cast them as blameless victims of a hostile public upon their return home. This is how, in the post-9/11 era of the Wars on Terror, the injunction to "support our troops," came to both sustain US militarism and also shields American civilians from the reality of wars fought ostensibly in their name. In this compelling and crucial account, Nadia Abu El-Haj challenges us to think anew about the devastations of the post-9/11 era.

Imaginaries of War and Citizenship in post-9/11 America Nadia Abu El Haj ... 7 Jonathan Shay , Achilles in Vietnam : Combat Trauma and the Undoing of Character (New York: Schribner, 1994), 3. 8 Shay , Achilles in Vietnam , ..."

The Good Kill

War wounds the soul. It is not only the violence that warfighters suffer against them that harms, but also the violence that they do. These soul wounds have come to be known as moral injuries: psychic traumas that occur from having done or condoned that which goes against deeply held moral principles. It is not surprising that the committing of atrocities or the accidental killing of the innocent would hurt the soul of warfighters. The problem is that many warfighters at least tacitly follow the commonplace belief that killing another human being is always wrong--it's just that sometimes, as in war, it is necessary. This paradoxical commitment makes the very business of warfighting morally injurious. This problem is also a crisis. Clinical research among combat veterans has established a link between killing in combat and moral injury and between moral injury and suicide. Our warfighters, even those who have served honorably and with the right intentions, are dying by their own hands at devastating rates--casualties not of the physical threats of war, but of the moral ones. It does not have to be this way. The just war tradition, a moral framework for thinking about war that flows out of our Greco-Roman and Hebraic intellectual traditions, is grounded in the basic truth that killing comes in different kinds. While some kinds of killing, like murder, are always wrong, there are other kinds of killing that are morally neutral, such as unavoidable accidents, and still other kinds that are morally permitted--even, sometimes, obligatory. The Good Kill embraces this tradition to argue for the morality of killing in justified wars. Marc LiVecche does not deny the morally bruising realities of combat, but offers potential remedies to help our warfighters manage the bruising without becoming irreparably morally injured.

 D. A. Carson , The Difficult Doctrine of the Love of God (Wheaton, IL: Crossway, 2000), 9. 107. Carson , The Difficult Doctrine of the Love of God , 11. 108. Carson , The Difficult Doctrine of the Love of God , 70–71. 109."

The Vietnam War and Theologies of Memory

The Vietnam War and Theologies of Memory develops atheological analysis of the American war in Vietnam and constructsa Christian account of memory in relation to this tragic conflict. An elegantly written reflection of memory and forgiveness, thisunique work explores the ecclesial practice of memory in relationto the American war in Vietnam Questions how and why we choose to remember atrocity, and askswhether it is ever ethical to simply forget Explores the theological categories of time and eternity, andthe ideas of thinkers including Aquinas, Augustine, and Barth Reveals broader insights about history, memory, andredemption Resonates beyond the field of theological inquiry by offering abroader analysis of war entirely relevant to our time

In Achilles in Vietnam : Combat Trauma and the Undoing of Character , psychiatrist Jonathan Shay states, “Healing from trauma depends upon communalization of the trauma – being able safely to tell the story to someone who is listening and ..."

How to End a War

How and when should we end a war? What place should the pathways to a war's end have in war planning and decision-making? This volume treats the topic of ending war as part and parcel of how wars begin and how they are fought – a unique, complex problem, worthy of its own conversation. New essays by leading thinkers and practitioners in the fields of philosophical ethics, international relations, and military law reflect on the problem and show that it is imperative that we address not only the resolution of war, but how and if a war as waged can accommodate a future peace. The essays collectively solidify the topic and underline its centrality to the future of military ethics, strategy, and war.

The U.S. Department of Veteran Affairs recognizes that “In the context of war, moral injuries may stem from direct ... psy- chiatrist Jonathan Shay ; see Jonathan Shay , Achilles in Vietnam : Combat Trauma and the Undoing of Character (New ..."

Tiger Force

At the outset of the Vietnam War, the Army created an experimental fighting unit that became known as "Tiger Force." The Tigers were to be made up of the cream of the crop-the very best and bravest soldiers the American military could offer. They would be given a long leash, allowed to operate in the field with less supervision. Their mission was to seek out enemy compounds and hiding places so that bombing runs could be accurately targeted. They were to go where no troops had gone, to become one with the jungle, to leave themselves behind and get deep inside the enemy's mind. The experiment went terribly wrong. What happened during the seven months Tiger Force descended into the abyss is the stuff of nightmares. Their crimes were uncountable, their madness beyond imagination-so much so that for almost four decades, the story of Tiger Force was covered up under orders that stretched all the way to the White House. Records were scrubbed, documents were destroyed, men were told to say nothing.But one person didn't follow orders. The product of years of investigative reporting, interviews around the world, and the discovery of an astonishing array of classified information, Tiger Force is a masterpiece of journalism. Winners of the Pulitzer Prize for their Tiger Force reporting, Michael Sallah and Mitch Weiss have uncovered the last great secret of the Vietnam War.

A True Story of Men and War Michael Sallah, Mitch Weiss ... concepts from various writings by retired lieutenant colonel David Grossman and Dr. Jonathan Shay , author of Achilles in Vietnam : Combat Trauma and the Undoing of Character ."

Military Departures, Homecomings and Death in Classical Athens

This volume sheds new light on the experience of ancient Greek warfare by identifying and examining three fundamental transitions undergone by the classical Athenian hoplite as a result of his military service: his departure to war, his homecoming from war having survived, and his homecoming from war having died. As a conscript, a man regularly called upon by his city-state to serve in the battle lines and perform his citizen duty, the most common military experience of the hoplite was one of transition – he was departing to or returning from war on a regular basis, especially during extended periods of conflict. Scholarship has focused primarily on the experience of the hoplite after his return, with a special emphasis on his susceptibility to Post-Traumatic Stress Disorder (PTSD), but the moments of transition themselves have yet to be explored in detail. Taking each in turn, Owen Rees examines the transitions from two sides: from within the domestic environment as a member of an oikos, and from within the military environment as a member of the army. This analysis presents a new template for each and effectively maps the experience of the hoplite as he moves between his domestic and military duties. This allows us to reconstruct the effects of war more fully and to identify moments with the potential for a traumatic impact on the individual.

2 Jonathan Shay , Achilles in Vietnam : Combat Trauma and the Undoing of Character (New York: Atheneum, 1994); Jonathan Shay , Odysseus in America: Combat Trauma and the Trials of Homecoming (New York: Scribner, 2002); Lawrence Tritle, ..."

Binding Their Wounds

The victims of US military campaigns are usually nameless civilians in far away places, but there are also victims closer to home - the soldiers so often used and then discarded by the establishment. Binding Their Wounds is a book about US veterans written by a US veteran - Bob 'Doc' Topmiller. Topmiller fought in Vietnam, founded a school for orphans there, and become a professor of history before he tragically committed suicide. Close friend and scholar Kerby Neill stepped in to complete the book. The result is a history of US veterans and their treatment by the US establishment from the early republic to the recent wars in Iraq and Afghanistan. Binding Their Wounds offers policy recommendations to improve post-conflict treatment and care for veterans which are long overdue.

The term complex is used by some clinicians to describe trauma that adversely impacts the development of a child: Ford, Post Traumatic Stress ... Shay , Jonathan . 2003. ... Achilles in Vietnam : Combat Trauma and the Undoing of Character ."

Moral Injury and a First World War Chaplain

This study examines Chaplain G. A. Studdert Kennedy, a British chaplain during World War I. The author analyzes Kennedy's poetry, prose, and postwar activities and the impact of moral injury on a combat veteran through the lens of contemporary psychological research.

 Shay , Jonathan . Achilles in Vietnam : Combat Trauma and the Undoing of Character . New York: Touchstone Books, 1994. Shay , Jonathan . Odysseus in America: Combat Trauma and the Trials of Coming Home. New York: Scribner, 2002."

Psychological Trauma and the Legacies of the First World War

This transnational, interdisciplinary study of traumatic neurosis moves beyond the existing histories of medical theory, welfare, and symptomatology. The essays explore the personal traumas of soldiers and civilians in the wake of the First World War; they also discuss how memory and representations of trauma are transmitted between patients, doctors and families across generations. The book argues that so far the traumatic effects of the war have been substantially underestimated. Trauma was shaped by gender, politics, and personality. To uncover the varied forms of trauma ignored by medical and political authorities, this volume draws on diverse sources, such as family archives and narratives by children of traumatized men, documents from film and photography, memoirs by soldiers and civilians. This innovative study challenges us to re-examine our approach to the complex psychological effects of the First World War.

The Culture of Defeat: On National Trauma , Mourning and Recovery. New York: Picador. Schmidt, Ulf. 2009. ... Shay , Jonathan . 1995. Achilles in Vietnam : Combat Trauma and the Undoing of Character . New York: Simon & Schuster."

Subjectivity

Talks about the ways personal lives are being undone and remade today. This book examines the ethnography of the modern subject, probes the continuity and diversity of modes of personhood across a range of Western and non-Western societies. It considers what happens to individual subjectivity when environments such as communities are transformed.

In Vietnam Reconsidered: Lessons from a War, ed. ... Munroe, James F., Jonathan Shay , Lisa Fisher, Christine Makary, Kathryn Rapperport, and Rose Zimering. 1995. ... Achilles in Vietnam : Combat Trauma and the Undoing of Character ."

Avoidingtheterroristtrap:whyrespectforhumanrightsisthekeytodefeatingterrorism

For more than 150 years, Nationalist, Populist, Marxist and Islamist terrorists have all been remarkably consistent and explicit about their aims: Provoke the State into over-reacting to the threat they pose, then take advantage of the divisions in society that result. Faced with a major terrorist threat, States seem to reach instinctively for the most coercive tools in their arsenal and, in doing so, risk exacerbating the situation. This policy response seems to be driven in equal parts by a lack of understanding of the true nature of the threat, an exaggerated faith in the use of force, and a lack of faith that democratic values are sufficiently flexible to allow for an effective counter-terrorism response. Drawing on a wealth of data from both historical and contemporary sources, Avoiding the Terrorist Trap addresses common misconceptions underpinning flawed counter-terrorist policies, identifies the core strategies that guide terrorist operations, consolidates the latest research on the underlying drivers of terrorist violence, and demonstrates how a comprehensive and coherent counter-terrorism strategy grounded in respect for human rights and the rule of law is the only truly effective approach to defeating terrorism.

military veterans who served the right-wing dictatorship of Augusto Pinochet had an equally descriptive term for their comrades who ... See also Jonathan Shay , Achilles in Vietnam : Combat Trauma and the Undoing of Character (Atheneum; ..."

Worship, Women and War

Celebrate the career of an inspirational scholar and teacher concerned with revealing voices from the margins This volume of essays honors Susan Niditch, author of War in the Hebrew Bible: A Study in the Ethics of Violence (1993), “My Brother Esau Is a Hairy Man”: Hair and Identity in Ancient Israel (2008), and most recently, The Responsive Self: Personal Religion in Biblical Literature of the Neo-Babylonian and Persian Periods (forthcoming), among other influential publications. Essays touch on topics such as folklore, mythology, and oral history, Israelite religion, ancient Judaism, warfare, violence, and gender. Features: Essays from nineteen scholars, all experts in their fields Exploration of texts from Mesopotamia, the Hebrew Bible, and the New Testament Bibliography of Niditch's scholarly contributions

Essays in Honor of Susan Niditch John J. Collins, T. M. Lemos, Saul M. Olyan ... Jonathan Shay , Achilles in Vietnam : Combat Trauma and the Undoing of Character (New York: Touchstone, 1994); Jonathan Shay , Odysseus in America: Combat ..."

Synopsis

Lists the scholarly publications including research and review journals, books, and monographs relating to classical, Hellenistic, Biblical, Byzantine, Medieval, and modern Greece. The 11 indexes include article title and author, books reviewed, theses and dissertations, books and authors, journals, names, locations, and subjects. The format continues that of the second volume. All the information has been programmed onto the disc in a high-level language, so that no other software is needed to read it, and in versions for DOS and Apple on each disc. Annotation copyrighted by Book News, Inc., Portland, OR

 Achilles in Vietnam : combat trauma and the undoing of character . New York : Scribner ,. Book . ISBN : 0689121822 9968. Shay , Jonathan . 1994. Achilles in Vietnam : combat trauma and the undoing of character ."

Reconciliation and Repair

Features contributions that respond to deep challenges to social cohesion from racial injustice In the latest installment of the NOMOS series, a distinguished group of interdisciplinary scholars explore the erosion—and potential rebuilding—of civic bonds in response to injustice, wrongdoing, and betrayal. Contributors address the possibility of reconciliation and repair, drawing on cutting-edge insights from the fields of political science, philosophy, and law. Nine timely essays explore our pivotal moment in history, from the question of reparations for slavery to the from the art—and impact—of the public apology. The editors of this volume encourage us to not only examine the roots of mistrust, but also to imagine a collective way forward, particularly as we face the continuing threat of the COVID-19 pandemic. Reconciliation and Repair provides thought-provoking perspectives in an age where they are desperately needed.

37 Jonathan Shay , Achilles in Vietnam : Combat Trauma and the Undoing of Character (New York: Scribner, 1994), 23–38; see Shay , “Moral Injury,” Intertexts, 60 (noting that “[w]e have been carefully taught a belief about stable good ..."

Reader's Guide to Military History

This book contains some 600 entries on a range of topics from ancient Chinese warfare to late 20th-century intervention operations. Designed for a wide variety of users, it encompasses general reviews of aspects of military organization and science, as well as specific wars and conflicts. The book examines naval and air warfare, as well as significant individuals, including commanders, theorists, and war leaders. Each entry includes a listing of additional publications on the topic, accompanied by an article discussing these publications with reference to their particular emphases, strengths, and limitations.

... S.L.A., Men Against Fire: The Problem of Battle Command in Future War, New York: Morrow, t947; reprint, Gloucester, Massachusetts: Peter Smith, 1978 Shay , Jonathan , Achilles in Vietnam : Combat Trauma and the Undoing of Character , ..."

The Invisible Wounded Warriors in a Nation at Peace

Although there has not been war in Swedish territory for many years, this does not mean that the country has no veterans who have experienced the challenges of war zone deployments or suffer from combat trauma. The Invisible Wounded Warriors in a Nation at Peace gives a rare look at the international operations of the Swedish military, while offering the reader a unique and deeper understanding of life with PTSD. The book uses terms such as moral injury to further describe the complexity. Complex PTSD after deployment in a conflict zone is a uniquely complicated web of problems that can have medical, psychological, moral, existential and spiritual dimensions. The book discusses what this might mean from an identity and pastoral care perspective.

Moral injury Early on, the ground-breaking psychologist and researcher Jonathan Shay chiseled out invaluable knowledge ... 134 Jonathan Shay , Achilles in Vietnam : Combat Trauma and the Undoing of Character , New York: Scribner 2003."

The Post Traumatic Stress Disorder Relationship

War, physical and sexual abuse, and natural disasters. All crises have one thing in common: Victims often suffer from post-traumatic stress disorder (PTSD) and their loved ones suffer right along with them. In this book, couples will learn how to have a healthy relationship, in spite of a stressful and debilitating disorder. TheyÆll learn how to: Deal with emotions regarding their partnerÆs PTSD Talk about the traumatic event(s) Communicate about the effects of PTSD to their children Handle sexual relations when a PTSD partner has suffered a traumatic sexual event Help their partner cope with everyday life issues When someone has gone through a traumatic event in his or her life, he or she needs a partner more than ever. This is the complete guide to keeping the relationship strong and helping both partners recover in happy, healthy ways.

 Shay , Jonathan . “About Medications for Combat PTSD.” Sidran Institute website. Access: www.sidran.org/sub.cfm? contentID=50&sectionid=4. Shay , Jonathan . Achilles in Vietnam : Combat Trauma and the Undoing of Character ."

Combat Stress in Pre-modern Europe

This book examines the lasting impact of war on individuals and their communities in pre-modern Europe. Research on combat stress in the modern era regularly draws upon the past for inspiration and validation, but to date no single volume has effectively scrutinised the universal nature of combat stress and its associated modern diagnoses. Highlighting the methodological obstacles of using modern medical and psychological models to understand pre-modern experiences, this book challenges existing studies and presents innovative new directions for future research. With cutting-edge contributions from experts in history, classics and medical humanities, the collection has a broad chronological focus, covering periods from Archaic Greece (c. sixth and early fifth century BCE) to the British Civil Wars (seventeenth century CE). Topics range from the methodological, such as the dangers of retrospective diagnosis and the applicability of Moral Injury to the past, to the conventionally historical, examining how combat stress and post-traumatic stress disorder may or may not have manifested in different time periods. With chapters focusing on combatants, women, children and the collective trauma of their communities, this collection will be of great interest to those researching the history of mental health in the pre-modern period.

This book examines the lasting impact of war on individuals and their communities in pre-modern Europe."

The Graphic Novel

The essays collected in this volume were first presented at the international and interdisciplinary conference on the Graphic Novel hosted by the Institute for Cultural Studies (University of Leuven) in 2000.The issues discusses by the conference are twofold. Firstly, that of trauma representation, an issue escaping by definition from any imaginable specific field. Secondly, that of a wide range of topics concerning the concept of "visual narrative," an issue which can only be studied by comparing as many media and practices as possible.The essays of this volume are grouped here in two major parts, their focus depending on either a more general topic or on a very specific graphic author. The first part of the book, "Violence and trauma in the Graphic Novel\

It is rather a collection of case studies of combat trauma resulting in the " undoing of character " ( Shay 1995 ) , the destruction of a human being . Death comes in the end , but before death comes the destruction of the individual ..."

National Trauma and Collective Memory

A fascinating exploration of our evolving national psyche, this book chronicles major traumas in recent American history - from the Depression and Pearl Harbor, to the assassinations of the Kennedys and Martin Luther King, Jr., to Ruby Ridge, Waco, and Columbine - how we responded to them as a nation, and what our responses mean. Reflecting on American popular culture as well as the media, this edition includes a new chapter on 9/11 and other acts of terror within the United States, as well as coverage of the Columbia space shuttle disaster. New student-friendly features, including discussion questions and "Symbolic Events" boxes in each chapter, give the book added value as a classroom supplement.

 Shay , Jonathan . 1994. Achilles in Vietnam : Combat Trauma and the Undoing of Character . New York: Atheneum. Sonnenberg, Stephen, Arthur S. Blank Jr., and John A. Talbot. 1985. The Trauma of War: Stress and Recovery in Vietnam Veterans."

The Oxford Handbook of Samuel Johnson

No major author worked in more genres than Samuel Johnson—essays, poetry, fiction, criticism, biography, scholarly editing, lexicography, translation, sermons, journalism. His works are more extensive than those of any other canonical English writer, and no earlier writer's life was documented as thoroughly by contemporaries. Because it's so difficult to know him thoroughly, people have made do with surrogates and simplifications. But Johnson was much more complicated than the popular image of 'Dr. Johnson' suggests: socially conservative but also one of the most radical abolitionists of his age, a firm believer in social hierarchy but an outspoken supporter of women intellectuals, an uncompromising Christian moralist but also a penetrating critic of family structures. Labels fit him poorly. In The Oxford Handbook of Samuel Johnson, an international team of thirty-six scholars offers the most comprehensive examination ever attempted of one of the most complex figures in English literature. The book's first section examines Johnson's life and the texts of his works; the second, organized by genre, explores all his major works and many of his minor ones; the third, organized by topic, covers the subjects that were most important to him as a writer, as a thinker, and as a moralist.

If we focus on this traumatic assault on the ultimate symbol of patriarchal power— the intact male body— we can begin to ... 14 Jonathan Shay , Achilles in Vietnam : Combat Trauma and the Undoing of Character (New York: Athenaeum Press, ..."

Handbook of Global Media Ethics

This handbook is one of the first comprehensive research and teaching tools for the developing area of global media ethics. The advent of new media that is global in reach and impact has created the need for a journalism ethics that is global in principles and aims. For many scholars, teachers and journalists, the existing journalism ethics, e.g. existing codes of ethics, is too parochial and national. It fails to provide adequate normative guidance for a media that is digital, global and practiced by professional and citizen. A global media ethics is being constructed to define what responsible public journalism means for a new global media era. Currently, scholars write texts and codes for global media, teach global media ethics, analyse how global issues should be covered, and gather together at conferences, round tables and meetings. However, the field lacks an authoritative handbook that presents the views of leading thinkers on the most important issues for global media ethics. This handbook is a milestone in the field, and a major contribution to media ethics.

 Shay , Jonathan . Achilles in Vietnam : Combat Trauma and the Undoing of Character . New York: Scribner, 1994. The argument Jonathan Shay makes about the psychological trauma soldiers expe- rienced in the Vietnam War is highly original and ..."

Care for the Sorrowing Soul

Moral Injury is now recognized as a growing major problem for military men and women. Operant conditioning can overwhelm moral convictions and yet the question of whether “to shoot or not to shoot” often will never have a settled answer. Certain theories and treatment models about MI have been well developed, but too often overlook root issues of religious faith. The authors propose a new model for understanding moral injury and suggest ways to mitigate its virtually inevitable occurrence in pre-combat training, and ways to resolve MI post-trauma with proven spiritual resources. People outside the military, too, among whom the incidence of MI also is a growing threat, will benefit from this analysis. The stories of the injured—their shaping and their telling—are the key, and there are many illumining stories of moral injury and recovery. Those who suffer MI, their families, and caregivers, including counselors, pastors, and faith communities, will find hope-giving first steps toward the healing of MI in this book.

New York Times, June 5, 2014. https://www.nytimes.com/2014/06/06/ us/politics/wars-elite-tough-guys-hesitant-to-seek-healing.html?_r=0. Shay , Jonathan . Achilles in Vietnam : Combat Trauma and the Undoing of Character . new York: Scribner, ..."

Freud's Mahabharata

Though Freud never overtly refers to the Mahthe companion volume to Freud's India, Alf Hiltebeitel offers what he calls a "pointillist introduction" to a new theory about the Mah

 Shay , Jonathan . 1991. “Learning About Combat Stress from Homer's Iliad.” Journal of Traumatic Stress 4, no. 4:561–79. Shay , Jonathan . 1994. Achilles in Vietnam : Combat Trauma and the Undoing of Character . London: Scribner, 1994."

When History is a Nightmare

Through the narratives and testimonies of Bosnian refugees who survived ethnic cleansing in Bosnia-Herzegovina, this title demonstrates how ethnic cleansing has worked its way into people's lives and memories

 Jonathan Shay , Achilles in Vietnam : Combat Trauma and the Undoing of Character ( New York : Atheneum , 1994 ) , 229 n . 13 21. See Agger and Jensen , Trauma and Recovery . 22. See Felman and Laub , Testimony ; Geoffrey Hartman ..."

Shooting Ghosts

"A majestic book." --Bessel van der Kolk, MD, author of The Body Keeps the Score A unique joint memoir by a U.S. Marine and a conflict photographer whose unlikely friendship helped both heal their war-wounded bodies and souls "The dueling-piano spirit of SHOOTING GHOSTS works because its authors are so committed to transparency, admitting readers into the dark crevices of their isolation." Wall St Journal War tears people apart, but it can also bring them together. Through the unpredictability of war and its aftermath, a decorated Marine sergeant and a world-trotting war photographer became friends, their bond forged as they patrolled together through the dusty alleyways of Helmand province and camped side by side in the desert. It deepened after Sergeant T. J. Brennan was injured during a Taliban ambush, and both returned home. Brennan began to suffer from the effects of his injury and from the fallout of his tours in Iraq and Afghanistan. But war correspondents experience similar rates of posttraumatic stress as combat veterans. The causes can be different, but guilt plays a prominent role in both. For Brennan, it’s the things he’s done, or didn’t do, that haunt him. Finbarr O’Reilly’s conscience is nagged by the task of photographing people at their most vulnerable while being able to do little to help, and his survival guilt as colleagues die on the job. Their friendship offered them both a shot at redemption. As we enter the fifteenth year of continuous war, it is increasingly urgent not just to document the experiences of the battlefield but also to probe the reverberations that last long after combatants and civilians have returned home, and to understand the many faces trauma takes. Shooting Ghosts looks at the horrors of war directly, but then turns to a journey that draws on our growing understanding of what recovery takes. Their story, told in alternating first-person narratives, is about the things they saw and did, the ways they have been affected, and how they have navigated the psychological aftershocks of war and wrestled with reforming their own identities and moral centers. While war never really ends for those who’ve lived through it, this book charts the ways two survivors have found to calm the ghosts and reclaim a measure of peace.

A U.S. Marine, a Combat Photographer, and Their Journey Back from War Thomas J. Brennan USMC (Ret.), Finbarr O'Reilly. Kyle, Chris. ... Shay , Jonathan , MD, PhD. Achilles in Vietnam : Combat Trauma and the Undoing of Character ."